Capturing the narrative qualities of gestures and circumstances in natural or imagined settings is a principal source of inspiration.
MY IMAGINARY STUDIO
acrylic on canvas – 4’ x 5’
$4,000
WAITING FOR DOORS TO OPEN (NFS)
acrylic on canvas
EARLY STUDIO
oil on canvas — framed 25.5" x 37.5"
$1,000
WILFUL LIVING
oil on linen – 34" x 21" (vintage frame, size not included)
$2,000
“I’D RATHER BE PAINTING”
acrylic on canvas – framed 19" x 23"
$1,500
LAYERED LIVING
acrylic on canvas – 12.75" x 16.75"
$1,200
VIOLET'S FIVE ACRES (sold)
acrylic on masonite board – framed 19" x 15"
SIDE (sold)
oil on canvas
FROM THE WAIST DOWN
oil on canvas — framed 35” x 48”
$2,000
SMOKE
oil on canvas – framed 13.5" x 11.5"
$400
Critique (NFS)
oil on canvas
Views, structures and happenings relevant to life in the Maritimes.
CROSSROADS
oil on canvas — 5.2’ x 4.2’ (framed)
$4,000
HALIFAX WATERFRONT (sold)
oil on canvas
COUNTRY DRIVE (sold)
oil on canvas
OCEAN RANGER (sold)
oil on canvas
BLAND STREET (sold)
oil on canvas
PATH
oil on canvas — 4.2’ x 4.2 (framed)
$3,500
Halifax Harbour (sold)
oil on canvas
CURRY AND TWEEDY REMEMBERED (NFS)
acrylic on wood panel
24” x 24”
Second Battle of Ypres—around April 22, 1915, John Currie, Windsor, NS (left) and Osborne Tweedy, Kinlough, ON (right), prepared dinner on the front line near St Julien, Belgium. On April 23, the 15th Battalion's position was engulfed in chlorine gas, and the unit was effectively decimated. Currie was hit in the stomach by a large piece of shell and died instantly; the same shell knocked Wilfred Bickle, Toronto, ON (shadow) out. On April 25, Tweedy was killed after having pulled a wounded Bickle into the trench.
FARAWAY (sold)
acrylic on canvas – 12" x 20"
MISBEHAVING
acrylic on canvas – 24" x 20"
"GLORY TO UKRAINE"
acrylic on canvas — 30" x 24"
$1,800
'AFTER HOPPER' sold and resides in PEI
Playful - some serious, some not.
SUNDAY AFTERNOON (NFS)
mixed media on canvas — 16” x 12”
BEAUMONT-HAMEL (sold)
oil on canvas
HOMELESS (sold)
mixed media on canvas
GLOBAL NIGHTMARES
mixed media on masonite — 33” x 27” (framed)
$1,500
‘SHE’ SERIES #2 (NFS)
mixed media on paper — 24” x 22” (framed)
PLAY (NFS)
mixed media on canvas
WINDOW TALES
mixed media on canvas — 75” x 30”
$2,000
SUMMER SCHOOL 1998
mixed media on watercolour paper — 38" x 36" framed
$1500
Figure drawing classes taught by Fred Ross in Toronto provided a sound foundation. Courses at the Nova Scotia College of Art and Design furthered Barbara's interest and development.
MODEL
charcoal
SELF PORTRAIT
charcoal and white chalk
SELF PORTRAIT
pencil
MODEL
charcoal and pastel — (framed)
DRAWING BY TOULOUSE-LAUTREC (COPY)
charcoal and white chalk (sold)
THINKING OF TOULOUSE
charcoal
FELLOW STUDENT
charcoal
TASHA
charcoal
STUDY
charcoal and eraser
STUDY
charcoal
MODEL
charcoal — (framed)
FELLOW STUDENT
charcoal and eraser
FIGURE ON PILLOWS
coloured pencils
SELF PORTRAIT
charcoal and white chalk
An eight-month computer graphics course at Sheridan College developed skills in designing websites and utilizing various computer programs.
WHERE HAVE ALL THE FLOWERS GONE?
ENTERTAINMENT INTERFACE
FUNDRAISER
AN ARTISTIC TEMPERAMENT - early website
MARY S. EDGAR - Camp Founder 1922
MOTHER
Betty Caswell Bickle 1922 - 1993
GRANDFATHER
Wilfred Nathaniel Bickle 1892 - 1973
A challenge but a welcome one.
Promoting community events is a rewarding experience.
Increasing public awareness presents creative opportunities.
"Grey Matters' was an art installation of sixty quotations Barbara overheard in hospitals, senior retirement residences and assisted living quarters.
It was a privilege to experience the wisdom of elderly patients facing devastating health challenges with grace and intelligence. The installation reflected the joy, frustration, and humour observed over this time.
Sanctuary, St. Matthew's United Church, Halifax – September 12 and 13, 2014
Halifax artists Andrea Johnson, Barbara Bickle and Colleen Steele held the painting exhibition at the Chase Gallery, Nova Scotia Archives, from October 2 to October 28, 2019.
WELCOME TO THE EXHIBITION
ARTIST STATEMENTS AND GUESTBOOKS
SIX PAINTINGS BY BARBARA BICKLE
MY IMAGINARY STUDIO
VIOLET'S FIVE ACRES
“I’D RATHER BE PAINTING”
LAYERED LIVING
AMUSINGLY AMUSED
PORTRAIT AT NOON
OPENING RECEPTION
Inspired by Memory History Imagination, the mixed-media exhibition incorporated fifty years of Barbara's art making: landscape and still-life paintings, figure studies, and collages.
Chase Gallery, Nova Scotia Archives, Halifax, from September 3 to September 30, 2015.
INTRODUCTION TO THE EXHIBITION
INFLUENCES
TWO ABSTRACTS AND A STILL LIFE 80s
PEOPLE
AFTER HOPPER
EXPLOSIONS
CLOUD
PROTESTS
MODEL
FOUND PAINTINGS 90s
BEAUMONT-HAMEL
ENTERTAINMENT
SHADES
WWI FAMILY DISPLAY
Halifax and Beyond: an ongoing project with over 300 appropriated newspaper images painted in various sizes incorporating cultural, historical and political events.
HALIFAX AND BEYOND
William Edward deGarthe, Peggy's Cove, Nova Scotia
Pope John Paul II with a group of children
during his first papal visit to Poland. June 1979
Griffin Pond in the Halifax Public Gardens
The Halifax Explosion — 6 December 1917
Container facility, Bedford Basin
Angus L. Macdonald Bridge, Halifax
Prime Minister Justin Trudeau exonerates
Tsilhqot'in chiefs hanged in 1864
Statue of Halifax Founder Edward Cornwallis
Tall Ships: Parade of Sail 2017
AFTER HOPPER
oil on canvas 4’ x 5’
PORTRAIT OF THE ARTIST’S MOTHER
oil on canvas
THE FORTUNE COOKIE
oil on canvas
Cloud
oil on canvas
STUDIO at NSCAD 1980s
oil on canvas
A REFLECTIVE GAZE
acrylic on canvas
GT’s VIEW OF SAINT STEPHEN
acrylic on canvas
TO SPEAK RARELY IS NATURAL
acrylic on canvas
AMUSINGLY AMUSED
acrylic on linen
IN THE NEWS
acrylic on canvas
PORTRAIT AT NOON
acrylic on canvas
AFTERNOON AT COACH HOUSE ANTIQUES
acrylic on masonite
SHADES
shadow box 9” x 15”